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Promotion
Send us samples of your work where our typefaces are used, and receive a free copy of Adelle Bold for free. Learn more.
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TT and webfonts
Quick guide to using our fonts on the web, what we do allow and what uses are restricted. Read more here.
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Our October newsletter is out. It includes information about our fonts in use, education and shows a font sneakpreview.
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File: inc_home_top.html Winners in the text category of this years Granshan type competition.  A playful serif for academic use and more, 6 weights.  A soft book typeface with some traces of handwriting, 4 weights.  A spirited upright italic, 10 weights. File: inc_home_destacados.html
 |  |  |  |  |  |  |  |  |  | NEWS | | FEATURES | | | | | | |  |  |  |  |  |  |  |  |  | November 2009 Type competition Three of our typefaces won again at this years competiton. October 2009 Workshop Poland Veronika and José will lead a week-long type workshop in Cieszyn. September 2009 "Modern Cyrillic" Skolar Cyrillic selected in design competition. July 2009 Radio Interview Veronika and José were recently interviewed on RBtL. September 2009 ABC darium Read the interview with one of our designers, Pilar Cano. July 2009 Typ09 Andreu Balius and José Scaglione will present a talk at the 2009 ATypI Conference. | | |  | This marvelous blackletter is a more delicate and dynamic typeface than the austere and condensed fraktur and textura. Plenty of swashes and alternate letters give Givry an even more lively appearance and make it suitable for any display situation. Now available in our online shop from €49.00.
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 |  |  |  |  Czech designer Filip Blažek selected three of our typefaces for the complete redesign of the Czech theater newspaper DN. Bree works exceptionally well in the headline situations. See details here. | | Veronika Burian was invited to give a presentation and function as guest lecturer at the "Corso di alta formazione in type design" at the Politecnico in Milan, Italy.
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| |  | |  | |  | |  | CUSTOM FONTS |  |  | Islamica This custom lettering project was done for the Islamica Magazine. We were asked to redesign their bodoni-style logotype, and let it become more humanistic with classical proportions that would reflect the magazine's reputation. They also decided to use Karmina as text typeface within the new magazine.
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