It’s that time again! Our Gerard Unger Scholarship call for entries starts now until 15 June 2021. All individuals either enrolled in or graduating from a typography course in 2019–2021 are invited to submit their designs for consideration. We want to see something fresh, with more than one weight or style, but without any restrictions on creativity or application. Find all the details here and best of luck!

Pilar Cano wrote a short article on the making of Arlette, probably the most vivacious and boundary-pushing sans serif in our catalogue. From historical inspiration to sketches and beyond, read how Arlette came into its own and changed the perspective of what makes a sans a sans.

Our headliner Catalpa is being used for the TV channel POP in the way it was intended — bright, distinctive, and grand. But also a lot of fun for a kids channel. See it in action.

A few years ago Veronika Burian & José Scaglione decided to build a three-family story arc that would encompass the demands of skilled text designers. Belarius is the sans and slab serif middle release of that planned triptych, able to claim its own bright spot on the release charts and also be appreciated as part of the trilogy. Belarius is by nature restrained to fulfill its midrange purpose: packaging, headlines and subheads, advertising, decks, and pull-quotes. And its variable font technology means you are able to fine-tune adjustments for perfect copy, every time.

Teams are stronger and better when their members come from different backgrounds. With that understanding in mind, TypeTogether’s team is made up of all walks of life. Meet Rabab Charafeddine, our graphic designer and budding type designer.