  Conceived specifically for intensive editorial use, whether it is in newspapers, magazines or digital media, Abril is a font family of two worlds. The titling weights, based on a contemporary revamp of classic Didone styles, display both neutrality and strong presence on the page, attracting the reader's attention with meassured tension in it's curves, good color and high contrast. It also features typographic niceties such as ornaments, borders, special dingbats and alternate letters and numbers that propose a broad palette of tools to the designer.
The text weights are more closely inspired by both, 19th century slab serifs and scotch roman types. They maintain consistency with the headline styles, and at first glance may appear to have the same shapes only with lower contrast. However, in reality the letter forms of Abril Text were engineered from scratch to achieve a color, texture and overall width that allow using the font comfortably in the most challenging environments for continuous reading, such as newspapers. This also makes it a great font family for pocketbooks and magazines. Abril competes, in terms of economy of space, head to head with some newspaper classics such as Utopia or Nimrod, but featuring a more contemporary look and feel; and unlike them, includes a full set of small caps with numbers and punctuation.
The four main text weights of Abril Text were also manually hinted which grants the possibility of a smooth transition from printed media to web platform.
Abril consists of 8 text styles and 12 display styles, all of them containing the standard TypeTogether character set that supports over 50 languages including those from Central and Northern Europe.
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Font Tester | | CHARACTER SET |
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|  | Get the complete bundle | | More purchasing options | There are: 0 items in your cart €0,00.- | File: inc_carrito_prod.html | | |  | Designed by José Scaglione José Scaglione (1974) is a graphic and a typeface designer and he is a partner of the independent type foundry TypeTogether. He teaches typography at the National University of Rosario and at the University of Buenos Aires, Argentina, and he is frequently invited to lecture about typography and to lead workshops of typeface design at international conferences and academic institutions. He is a member of the Board of the Association Typographique Internationale since 2007 and he was the chairman of the Letter.2 type design competition and conference. Veronika Burian Veronika Burian, born in Prague, got her first degree in Industrial Design in Munich, Germany, before she moved on to Austria and Italy to work as a mix between a product and graphic designer. Discovering her true passion for type, she graduated with distinction from the MA in Typeface Design in Reading, UK, in 2003 and started to work as full-time type designer at DaltonMaag in South London until 2007.
After a 3-year stay in Boulder, Colorado, she is now living and working in Prague and dedicates her time fully to TypeTogether. She also continues to lecture about typography at international conferences and universities. Her typeface Maiola that she created during the MA, received the TDC Certificate of Excellence in Type Design 2004, was selected in the Type Design competition from Creative Review 2005 and was part of the touring exhibition e-a-t. Karmina and Bree, two collaborative typefaces from TypeTogether, also won a merit at the ED-Awards competition 2007 and 2009. | | |  |  |  | |
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