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TT and webfonts
Quick guide to using our fonts on the web, what we do allow and what uses are restricted. Read more here.
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The new TypeTogether font catalog is just off the press. This catalog is distributed for free, request it now.
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FONTS
TypeTogether is commited to excellence in type design with a focus on editorial use. Additionally, TypeTogether caters tailored type design for corporate use.We invite you to surf our library of retail fonts or contact us to discuss custom type design projects.
    
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NEWSLETTER
 
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NEWS
 
FEATURES
      
March 2010
ABCdarium article
The german blog ABCdarium published an article about TypeTogether.
February 2010
Bienále Brno 2010
"Typefaces are structures" poster will be exhibited in Brno.
February 2010
Fontaid IV
Get the ampersand font "coming together" to help the victims of Haiti's recent earthquake.
February 2010
PechaKucha
Veronika was invited to present at PechaKucha in Prague, on 17.02.2010.
February 2010
Talk at UGD
Veronika and José are invited to speak in Prague at the Union of Graphic Designers.
January 2010
Typography Served II
Karmina was also selected in the list of Typography Served.
 
TypeTogether FontCast

FontCast #9 — TypeTogether from FontShop on Vimeo.

Veronika Burian and José Scaglione interviewed by Stephen Coles during the last ATypI conference in October 2009. A terrace overlooking the Zócalo square of Mexico City is the perfect framework to talk about fonts, TT's beginnings and much more.
Type in use
Athelas was selected as main text face for the design of the PNCA (Pacific Northwest College of Art) recent publication "Faculty Biennal Exhibition". It is a very nicely desinged book by Portland based designer/artist Pete McCracken. See details here.

 
Webfonts
Some of our typefaces are already available via the webfonts service Typekit. Athelas, in particular, has been hinted and re-engineered for web usage. More fonts to come, in the next few months.
    
CUSTOM FONTS
Islamica
This custom lettering project was done for the Islamica Magazine. We were asked to redesign their bodoni-style logotype, and let it become more humanistic with classical proportions that would reflect the magazine's reputation. They also decided to use Karmina as text typeface within the new magazine.



 
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